“Sheldon: Why’d you set it for the day before yesterday?
Leonard: Because I want to go back and keep myself from getting a time machine.
Sheldon: You can’t. If you were to prevent yourself from buying it in the past, you would not have it available in the present – travel back and stop yourself from buying it, ergo you would still have it. This is a classic rookie time travel mistake.
Leonard: Can I go back and prevent you from explaining that to me?
Sheldon: Same paradox, if you were to travel back in time and, say, knock me unconscious, you would not then have the conversation that irritated you, motivating you to go back and knock me unconscious.
Leonard: What if I knocked you unconscious right now?”

 The Big Bang Theory

“Harry”, cried Dorian Gray, coming over and sitting down beside him, “why is it that I cannot feel this tragedy as much as I want to? I don’t think I am heartless. Do you?”

“You have done too many foolish things during the last fortnight to be entitled to give yourself that name, Dorian”, answered Lord Henry with his sweet melancholy smile. The lad frowned.

“I don’t like that explanation, Harry”, he rejoined, “but I am glad you don’t think I am heartless. I am nothing of the kind. I know I am not. And yet I must admit that this thing that has happened does not affect me as it should. It seems to me to be simply like a wonderful ending to a wonderful play. It has all the terrible beauty of a Greek tragedy, a tragedy in which I took a great part, but by which I have not been wounded.”

“It is an interesting question”, said Lord Henry, who found an exquisite pleasure in playing on the lad’s unconscious egotism, “an extremely interesting question. I fancy that the true explanation is this: It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style. They affect us just as vulgarity affects us. They give us an impression of sheer brute force, and we revolt against that. Sometimes, however, a tragedy that possesses artistic elements of beauty crosses our lives. If these elements of beauty are real, the whole thing simply appeals to our sense of dramatic effect.”

“The Picture of Dorian Gray”, Oscar Wilde

Peter Griffin: “¿Por qué se extinguieron los dinosaurios?”

Profesor: “Porque te tocas por las noches”

[Enter Lane.]

Lady Bracknell and Miss Fairfax.

[Algernon goes forward to meet them. Enter Lady Bracknell and Gwendolen.]

Lady Bracknell. Good afternoon, dear Algernon, I hope you are behaving very well.

Algernon. I’m feeling very well, Aunt Augusta.

Lady Bracknell. That’s not quite the same thing. In fact the two things rarely go together. [Sees Jack and bows to him with icy coldness.]

Algernon. [To Gwendolen.] Dear me, you are smart!

Gwendolen. I am always smart! Am I not, Mr. Worthing?

Jack. You’re quite perfect, Miss Fairfax.

Gwendolen. Oh! I hope I am not that. It would leave no room for developments, and I intend to develop in many directions. [Gwendolen and Jack sit down together in the corner.]

Lady Bracknell. I’m sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Harbury. I hadn’t been there since her poor husband’s death. I never saw a woman so altered; she looks quite twenty years younger. And now I’ll have a cup of tea, and one of those nice cucumber sandwiches you promised me.

Algernon. Certainly, Aunt Augusta. [Goes over to tea-table.]

Lady Bracknell. Won’t you come and sit here, Gwendolen?

Gwendolen. Thanks, mamma, I’m quite comfortable where I am.

Algernon. [Picking up empty plate in horror.] Good heavens! Lane! Why are there no cucumber sandwiches? I ordered them specially.

Lane. [Gravely.] There were no cucumbers in the market this morning, sir. I went down twice.

Algernon. No cucumbers!

Lane. No, sir. Not even for ready money.

Algernon. That will do, Lane, thank you.

Lane. Thank you, sir. [Goes out.]

Algernon. I am greatly distressed, Aunt Augusta, about there being no cucumbers, not even for ready money.

Lady Bracknell. It really makes no matter, Algernon. I had some crumpets with Lady Harbury, who seems to me to be living entirely for pleasure now.

Algernon. I hear her hair has turned quite gold from grief.

Lady Bracknell. It certainly has changed its colour. From what cause I, of course, cannot say. [Algernon crosses and hands tea.] Thank you. I’ve quite a treat for you to-night, Algernon. I am going to send you down with Mary Farquhar. She is such a nice woman, and so attentive to her husband. It’s delightful to watch them.

Algernon. I am afraid, Aunt Augusta, I shall have to give up the pleasure of dining with you to-night after all.

Lady Bracknell. [Frowning.] I hope not, Algernon. It would put my table completely out. Your uncle would have to dine upstairs. Fortunately he is accustomed to that.

Algernon. It is a great bore, and, I need hardly say, a terrible disappointment to me, but the fact is I have just had a telegram to say that my poor friend Bunbury is very ill again. [Exchanges glances with Jack.] They seem to think I should be with him.

Lady Bracknell. It is very strange. This Mr. Bunbury seems to suffer from curiously bad health.

Algernon. Yes; poor Bunbury is a dreadful invalid.

Lady Bracknell. Well, I must say, Algernon, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or to die. This shilly-shallying with the question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. Illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle, but he never seems to take much notice… as far as any improvement in his ailment goes. I should be much obliged if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Saturday, for I rely on you to arrange my music for me. It is my last reception, and one wants something that will encourage conversation, particularly at the end of the season when every one has practically said whatever they had to say, which, in most cases, was probably not much.

Algernon. I’ll speak to Bunbury, Aunt Augusta, if he is still conscious, and I think I can promise you he’ll be all right by Saturday. Of course the music is a great difficulty. You see, if one plays good music, people don’t listen, and if one plays bad music people don’t talk. But I’ll run over the programme I’ve drawn out, if you will kindly come into the next room for a moment.

Lady Bracknell. Thank you, Algernon. It is very thoughtful of you. [Rising, and following Algernon.] I’m sure the programme will be delightful, after a few expurgations. French songs I cannot possibly allow. People always seem to think that they are improper, and either look shocked, which is vulgar, or laugh, which is worse. But German sounds a thoroughly respectable language, and indeed, I believe is so. Gwendolen, you will accompany me.

Gwendolen. Certainly, mamma.

[Lady Bracknell and Algernon go into the music-room, Gwendolen remains behind.]

“Save the cheerleader, save the world”- Hiro Nakamura

“¡Prior Incantato!”

http://es.wikipedia.org/wiki/Daniel_Radcliffe

http://es.youtube.com/watch?v=lWPXJzSXTg8&feature=related

LOIS: Necesito unos azotes, soy una chica mala, muy mala!
PETER: Pues yo soy un PALADIN con 18 puntos de Carisma y 97 puntos de Vida. Puedo utilizar mi Yelmo desintegrador y hacer un D4 de daño, mientras mi Mago SemiElfo blande su Vengador Sagrado +5.
LOIS: Los paladines no pueden usar el yelmo desintegrador!
PETER: ah…vale… entonces soy un NEGRO.

Brian: You have to be different!
The Crowd: Yes, we are all different!
Small lonely voice: I’m not!

http://es.youtube.com/watch?v=1loyjm4SOa0 

http://es.youtube.com/watch?v=krb2OdQksMc&feature=related

http://es.youtube.com/watch?v=Erthun0Pauc&feature=related

http://es.youtube.com/watch?v=zPGb4STRfKw&feature=related